Fstoppers Gear Reviews
Canon has been very busy in the last few years playing catchup in the mirrorless game. Along with a number of new bodies, Canon has also released a bunch of new lenses, including the brilliant RF100-500mm f/4.5-7.1L lens. I've had it for a couple of months now, and here are some of my initial thoughts, along with various images I've taken.
Getting good audio is essential to creating a quality video. The Lark 150 from Hollyland is positioned as a turnkey solution for easily recording two subjects without the need for a tangle of wires. Whether you’re just getting started with video or are looking for a competent wireless option, you’ve got to hear what this piece of kit can do!
I wanted something to control my exposure when shooting videos but I didn't want to sacrifice quality with a variable ND filter. To my surprise, the magnetic system by Freewell has been better than expected and even has features for photography that have replaced my older equipment.
The ubiquitous need for USB hubs while we're in the transition period between legacy ports and the new standard has resulted in thousands of options flooding the market. It can often be hard to distinguish which ones are worth the money, but today, we'll look at one that certainly is: CalDigit's SOHO dock.
Have you noticed it's been almost impossible to miss all the discussions, arguments, praise, and ads about Skylum's new AI-based software editor, LuminarAI? It's available for purchase now, and people will get a chance to see how it measures up to their expectations.
A diffusion filter gives halation with lights, especially in low light scenarios. It also softens skins and harsh textures when shooting portraits. The aim of these filters are to get an organic, dreamy, almost cinematic effect in photography and video production.
Gura Gear, a company known for its durable on-the-go focused bags, is back with an update to its Chobe shoulder bag. This time around, it comes in two different sizes and multiple configurations, but maintains that same excellent construction of the original bag. Let’s take a look at the new Chobe 2.0.
Color is one of the most important aspects in photography. If you've read any of my previous articles, color is the thing that I'm frequently yapping on about, because it really is crucial. It's what gives many images that emotional connection that we feel and that connection can make or break an image.
Has it been 25 years? Amazing. I remember when Nils Kokemohr founded Nik Multimedia in 1995, which later became Nik Software in 2006. The package included plugins for color management and editing, another for enhancing or creating black and white images, sharpening tools, and later HDR software to help photographers increase the dynamic range of their images.
In the previous section of this review, I looked at the physical qualities and autofocus capabilities of Fujifilm's brand new XF 50mm f/1 R WR. In this second piece, I'll be looking exclusively at its optical characteristics. There's a lot to unpack here as well. So, let's get started with the juicy stuff!
Fujifilm recently released the XF 50mm f/1 R WR, a lens they are affectionately calling “The One.” With its extreme maximum aperture of f/1 and a price tag to match, it has been dividing comment sections ever since its release. Is it worth the extra cash? What does it offer over Fujifilm’s existing fast lenses? What does it give up? Let’s find out.